Movies Rush | Where to watch Tony Leung Chiu-Wai best movies


As one of the most influential Asian actors of his generation, Tony Leung occupies a special place among the best actors of his generation. He is more of a dramatic actor than one who concentrates on action or comedy. His early success came as a handsome television hero called “Young Tiger” on Hong Kong Television. 1989 saw him gain international recognition with a lead role in “City of Sorrows,” the first of a trilogy of Taiwanese historical films directed by the Golden Lion-winning director Hou Hsiao-hsien watch on MoviesRush. In the 1990s, his collaboration with Wong Kar-wai, with whom he worked seven times in 23 years, made him one of the most respected film actors of his time.

In addition to Hou Hsiao-hsien and Wong Kar-wai, Tony Leung has worked with some of China’s finest directors over the past four decades, including John Woo, Zhang Yimou, Ang Lee, Johnnie To, and Tam Kah Ming. Just the mention of his name brings to mind the image of a well-dressed man with a melancholic expression and a cigarette between his lips, creating a photogenic atmosphere with the smoke coming out of his mouth. However, Tony Leung experiments with action and comedy. His timely and comical performances made him famous first as a television star and then as a key player in martial arts action films and contemporary cinema.

My Heart is an Eternal Rose (1989)

Hong Kong New Wave director Tam Kah Ming is known to film buffs as Wong Kar-wai’s mentor, but he was more than just a coach. He is one of the most accomplished directors in Hong Kong cinema. His films are characterized by vivid colors and shades of sadness; his 1989 film, an example of his aesthetic genius, is weaker than his earlier works, mainly due to the unconvincing performance of Kenny B in the title role. The gangster novel genre is most effective with charismatic protagonists, and Bee fails to provide that element.

However, Joey Wong and Tony Leung almost make up for Bee’s lack of quality. Liang, like Zhang, is one third of the triangle that makes up this story. He appears a bit late in the film, but becomes an integral part of the story in the second half, and his presence is felt right to the end. For this role, Tony Leung won his second Hong Kong Film Awards for Best Supporting Actor. However, another film, released in 1989, topped the list.

Chungking Express (1994)

An anecdote about two cheerful Hong Kong policemen suffering from depression, “Chungking Express” became one of the most iconic films in cinema history. It depicts the world of depression and captures the pain and turmoil that enveloped but failed to destroy the resilient Hong Kong until 1997. The film is colored by the essence of music, neon lights, and courtship through the talented camerawork of Christopher Doyle, who directed the previous film and others.

All five main characters play memorable roles. Tony Leung plays Detective 663, who, as a way of coping with the despair of a breakup, disguises himself as an object and enters his own world. His unusual relationship with the dynamic Faye, played by the iconic singer Faye Wong, provides the most memorable scene in both anecdotes. 663’s checkerboard print diffuses a melancholic atmosphere, and Doyle’s footsteps take the world out of his mind in such a striking image. out of his mind.

Happy Together Movie (1997)

During Pride Month, when LGBTQ+ films are hotly debated, Wong’s 1997 film is one of the most talked about, and much of its acclaim is due to the impression that Wong has completely normalized gay romance, making it one of the most enduring romances of all time. Argentina is a place where music and society are integrated into the narrative identity, even though the characters feel more alone than ever after internal conflicts. Given the tense socio-political climate in Hong Kong after the transfer of power, the issue of address is no small one for the Romantics.

Leung’s Lai Yu-fai, a character who seems to have been forced into the film for no apparent reason, is said to be less self-destructive than his former partner Ho Po-win, but in the story a strong sense of despair haunts his soul. The cause of the pain is the realization that it was his own outrageous possessiveness that destroyed the bond, and while Leung’s performance is clearly uncomfortable, he and Chung still give great performances in this subversive film.

Infernal Affairs (2002)

Without a doubt, “Infernal Affairs” is the most influential Hong Kong film of the 21st century. It brought a much-needed novelty to Hong Kong crime cinema, and its brilliance led Martin Scorsese to direct a remake. A post-delivery identity crisis destroys the overhead characters. The police discover a mole in the gang’s hideout. The gang puts the mole in the police den. This is where the fierce game of hide-and-seek begins. Blood is shed, sorrows are piled up, and the past comes to haunt the present. The title refers to hell, the beginning indicates it, and the story tells of the experiences associated with it.

A mustachioed Tony Leung plays Chan Wing Yam, a spy who has infiltrated the underworld from the police; after ten years of illegal life, he has a serious job but suffers from a personality disorder. Leon’s performance is appealing, partly because his precise sense of melancholy is desirable for the dark mood of this story. There is a scene where an angry Chan is presented with a watch by his boss, which is probably a reference to other equally good films on this list.

Hero (2002)

As the millennium approaches, Zhang Yimou has become the undisputed exemplar of cinema, breaking barriers with amazing films that are, above all, visually perfect delights. This is because it is a well-crafted martial arts novel with elements of mystery, as seen in Rashomon. Its perfection is questionable, but its visual grandeur gives it a sense of vast territory. At the core of this story are two concepts, “love” and “home,” and the conflict arises from the inequality of the concept of “home.

Broken Sword, played by Leung, is a calligrapher and assassin, suggesting that he is the most gifted character in the story. However, even his genius does not spare him from the misfortune of his wanderlust. He is looking for a permanent home where he can live with the love of his life. His love story with Fei Xue, played by Maggie Cheung, is complicated by their different ideas about home. But he still manages to hold his own. He works with some of the best performers of the day and arguably holds his own among the stunning performances of Leslie Cheung, Jet Li and Zhang Ziyi.

Hard Boiled (1992)

The depiction of John Woo’s guarded moments in Infernal Affairs is an obvious reference to an equally influential film, Woo’s crime thriller that leaves audiences unable to blink at the screen in the midst of pandemonium. Scenes with Tequila Chow Yun-fat confirm that she embodies the infamy of the title. The extravagance of chaos and subversion has a deliberate poignancy that complements the sobering experience. All in all, the film presents a diverse and constantly contradictory mental landscape.

Allen is the most interesting character in the film. Played by Leon, his bad behavior intrigues the audience in the first half of the film. And causes them to be surprised in the second half. His perception of perfection is the most perplexing, and his fantasy of cleaning himself in uninterrupted light suggests the presence of a dreamer. Tony Leung proves himself to be a great action star, sharing the screen with the wonderful Stephen Chow. Hard Boiled is a film as memorable as Alan Leong’s.

In the Mood for Love (2000)

Wong’s 2000 masterpiece, originally conceived as a food story, is a sequel to When You Were a Beast. Despite its serious undertones, In the Mood for Love is a surprisingly romantic film. The film is a love letter to Hong Kong, the place where Wong grew up. There is more to the romance than the core connection to the city, its food, melody, literature and temperament.

The connection between Chow Mo Wan and So Lai Chun is central to the story. Chow Leung. Whom we’ve seen before in a microscopic shot at the end of “The Wilderness Years,” is another melancholy practitioner. But in this case he gives an exquisite performance of hope, joy and imagination. He lives in his budding years, and when he knocks on the door as an adult. Those years are noticeably absent, a possible reminder of Wong’s longing for the past. Leung’s performance earned him the Best Actor award at Cannes, a wonderful rating, and a permanent place in cinema history.

City of Sorrows (1989)

Taiwan has a long history of mourning. As soon as Japanese colonial rule ended. The government of the Republic of China abandoned the mainland and made the island its home.

The main theme of the film is the Lin family. Leung plays Lin Wenqing, a sympathetic photographer who is deaf and mute and has left-wing views. In his finest performance, Leung demonstrates a flood of emotion as a necessary. As long as Lin Wenqing retains his spirit, the audience will remain unchanged. His character carries the film’s plot, and it is Leung’s impeccable performance that shines brightest. Conveying the trauma, joy and inevitability of change through time with tight, memorable expressions and movements.


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